Xcp:  Streetnotes: Fall  2004
Streetnotes Fall 2004 xcp

 
 
Tricia R. Louvar



Portrait of Idling

Migrant Worker No. 1, Los Angeles, Calif., 2004, Tricia R. Louvar

Over the course of the last twenty-some years, the immigrant population in California has increased five-fold, of which over half have come from Mexico, according to the Public Policy Institute of California.

Twenty cigarette butts have broken down to dust.

These men standing at the corner of Shoup and Ventura cut away from their former dusty roads via truck, train, tunnel. In the intersection’s gutters, scrapes of paper, transactions leaked from wallets, windows, pockets blow past them and fall by the shedding trees below the freeway. The tan patches on their jeans—not sewn on pants by a spouse—are the earth’s hands from around this urban pasture.

Ten oranges have broken down to dust.

The drop in his voice indicates the word is coming. It is as if my boss’s birdsong choked midnote on a worm piece. He repositions his eyeglasses and empties his eyes of me. And then he says it, with liquid amber not far behind, which forms a West Coast caravan of speech suitable for folks who, on the outset, don’t want to be derogatory, but in the end, are. His word journey’s jettison: Mexican.

Four plastic-coated pieces of paper have broken down to dust.

The sun has bleached the soda box left in the arroyo. My dog pisses on the bank, and I make an inverted L with my body. A neighbor had hired them to dig into his canyon wall, each man using a shovel the size of a cookie sheet for his infinity pool. At noontime they sat in these woodlands, sprawled on the duff in moments of dolce farniente eating sandwiches beside Styrofoam coolers.

One plastic film container has broken down to dust.

On Kanan Road they bring and abandon office chairs on rollers under the canopy of live oaks and next to utility poles at the base of the Santa Monica Mountains. Some even lean back and swivel; comfrey scraps the bottom of their boots. No sweat in the canthus, just yet. The break lights on the freeway create a surgeon’s incision in a darkened operating room: this city needs alterations.

 


  (c)Tricia R. Louvar  2004


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